— The Suite
Calibrated, quiet, and never overbooked.
We keep one grading room and one edit bay — by design. It means the colourist isn't running between four projects and you'll always know who pressed play.
Davinci Resolve Studio for grade and finish, Premiere and Avid for offline, Pro Tools and a treated room for sound.
EDIT
Offline editorial
Story-led editors who cut to picture before they cut to music. Available for retainer or per-project.
GRADE
Colour grading
Calibrated reference monitor, ACES workflow, and a colourist who'll actually sit in the room with you.
SOUND
Sound design & mix
Foley, dialogue clean-up, original score commissions, and final mix for broadcast or cinema delivery.
FINISH
Online & delivery
VFX touch-ups, titles, deliverables for every spec sheet you've ever been sent. We speak DPP and IMF.